“Kinda Pregnant,” directed by Tyler Spindel, chronicles the wonderfully tumultuous journey of Lainy Newton (Amy Schumer), who chooses to wear a fake baby belly after becoming jealous of her best friend’s maternity benefits. The ruse first appears to provide her the glitzy life she desires, but when she meets the guy of her dreams, everything takes a drastic turn. Now that she has a false baby bump, she must deal with the unforeseen difficulties of pregnancy while attempting to keep the love story she has always desired.
Over-the-top, bombastic, and unashamedly ridiculous, “Kinda Pregnant” epitomizes Amy Schumer comedy. Beyond the chuckles, though, it touches on deeper subjects, such as the comic examination of friendship and the constraints women endure from society. Here is a list of movies that are comparable to “Kinda Pregnant” and that combine these topics and storytelling methods equally as well as the aforementioned, providing a humorous, feel-good experience if you’re searching for more films that strike a balance between quirky humor and a mixture of heart and silliness.
Labor Pains (2009)
“Labor Pains,” directed by Lara Shapiro, centers on Thea (Lindsay Lohan), a young woman who, after being threatened with termination, fabricates a pregnancy in order to maintain her employment. She finds herself getting preferential treatment from her family, friends, and even her lover as her lie spreads. She must pretend to be pregnant for the entire nine months while navigating an increasingly challenging scenario in order to keep the deception going.
Similar to “Kinda Pregnant,” “Labor Pains” centers on a major lie: pretending to be pregnant in order to obtain specific benefits. Both films examine how a seemingly innocuous deception may go awry and result in embarrassing, humorous circumstances. The two films combine themes of deceit, societal expectations, and the emotional problems of living with a falsified story, underscoring the havoc that can result from attempting to maintain an exaggerated image.
The House Bunny (2008)
“The House Bunny,” which was directed by Fred Wolf, centers on Shelley (Anna Faris), a former Playboy Bunny who ends up homeless and jobless. She adopts the position of house mother for a group of college students who are socially shy. She learns valuable lessons about self-worth and the true meaning of beauty while using her expertise of beauty and self-presentation to help others gain popularity. Despite not having a staged pregnancy like “Kinda Pregnant,” “The House Bunny” nevertheless examines issues of women’s aspirations and self-image. While Shelley alters herself and others to fit in with society’s ideals of beauty in “The House Bunny,” the protagonist in “Kinda Pregnant” poses as pregnant in order to receive preferential treatment. Each movie uses humor to show how women fight against and defy social expectations while highlighting the value of authenticity and self-determination.
I Feel Pretty (2018)
“I Feel Pretty,” which was directed by Abby Kohn and Marc Silverstein, is about Renee (Amy Schumer), a lady who has low self-esteem because of how she thinks she looks. She thinks she has become extremely gorgeous after falling during a spin class, but nothing has changed. She gains confidence and begins to succeed in both her personal and professional life, but she soon has to deal with the difficulty of balancing her new self-perception with reality.
Though in different ways, “Kinda Pregnant” and “I Feel Pretty” both explore human metamorphosis brought on by erroneous perceptions. The heroine of “Kinda Pregnant” stages a pregnancy in order to obtain advantages, and “I Feel Pretty” centers on a lady whose confidence is bolstered by her false conviction in her own beauty. These comedic movies examine how identity and self-worth are shaped by one’s own perspective of oneself and challenge social norms.
What to Expect When You’re Expecting (2012)
Five couples’ lives are chronicled in Kirk Jones’ “What to Expect When You’re Expecting,” as they navigate the pleasures and difficulties of pregnancy and parenthood. From unplanned pregnancies to adoption and infertility issues, every story offers a different viewpoint on getting ready for a child, portraying the amusing and frequently hectic path to motherhood. Even while pregnancy is still a major theme, the movie has a more realistic tone than “Kinda Pregnant,” which had a humorous concept.
While “What to Expect When You’re Expecting” delves into the real-life realities of pregnancy and parenthood, “Kinda Pregnant” follows a lady who stages a pregnancy for her own benefit. Although both films deal with the pressures society places on women to become mothers, one uses comedy that is based on deceit, while the other incorporates humor into a number of real-life situations.
The To Do List (2013)
Following Brandy (Aubrey Plaza), a recent high school graduate who feels behind her contemporaries in terms of love and sexual experience, is the plot of “The To Do List.” She makes a list of the sexual encounters she hopes to have before leaving for college in order to address this. In this Maggie Carey-directed film, she follows her list while dealing with the uncomfortable and comical circumstances that arise when she tries to discover her sexuality and develop as a person. Like “Kinda Pregnant,” “The To Do List” centers on a young woman examining her sexuality, but both films examine how a woman’s behavior is influenced by her own fears and social expectations.
Isn’t It Romantic (2019)
In “Isn’t It Romantic,” directed by Todd Strauss-Schulson, Rebel Wilson plays Natalie, a jaded New York architect who is beaten senseless and awakens to discover she is stuck in a romantic comedy. She is surrounded by romantic gestures, idealized love, and ideal circumstances in her new reality. She must confront this strange reality, ultimately discovering how to redefine her own happiness and accept self-love, escaping the cliché of the ideal romance.
The protagonists of “Isn’t It Romantic” and “Kinda Pregnant” are put in situations that make them reevaluate their assumptions and face their fears. In “Isn’t It Romantic,” Natalie’s pessimistic perspective on love is completely upended as she is pushed into a world that compels her to accept romantic ideals, while in “Kinda Pregnant,” the lie about pregnancy affects the protagonist’s social and personal life.
The Other Woman (2014)
Carly (Cameron Diaz) learns that her lover Mark (Nikolaj Coster-Waldau) is married to Kate (Leslie Mann) in “The Other Woman.” Carly and Kate discover another betrayal as they develop an odd friendship: Mark has also been seeing a third woman, Amber (Kate Upton). Together, the three reveal his dishonesty, ultimately embracing female empowerment and self-worth. “The Other Woman” explores the consequences of a man’s adultery, while “Kinda Pregnant” tracks a woman who poses as pregnant for her own benefit. These tales all deal with deceit; they employ humor to explore social norms and the effects of lies on the lives of the protagonists.
Baby Mama (2008)
“Baby Mama,” which was directed by Michael McCullers, centers on Tina Fey’s character, Kate, a prosperous entrepreneur who is unable to conceive despite her desire to have a child. Two women from very different backgrounds form an odd and frequently comical partnership after she employs Angie (Amy Poehler) as her surrogate. Their relationship develops into an unanticipated partnership full of touching and humorous moments as they work through the pregnant journey. “Baby Mama” examines the intricacies of surrogacy and the relationships that result from it, whereas “Kinda Pregnant” centers on a woman who fabricates a pregnancy for her own benefit. Mismatched relationships and the mayhem that results when two opposing personalities are compelled to face life’s greatest obstacles together are the source of humor.
The Decoy Bride (2011)
In order to avoid the paparazzi, renowned actress Lara (Kelly Macdonald) and her fiancé David Tennant decide to get married in a secluded Scottish village in “The Decoy Bride.” To avoid the press, Lara’s companion, however, employs a local lady, Katie (Alice Eve), to pose as her when their privacy is violated. A sweet and amusing surprise results from the decoy bride’s development of affections for the groom as she adjusts to this unexpected position in this Sheree Folkson film.
The plot of “The Decoy Bride” centers on a lady acting as a stand-in bride to salvage a wedding, whereas the protagonist of “Kinda Pregnant” poses as pregnant in order to avoid repercussions in her personal life. Every movie examines the negative effects of lying, the complexities of identification, and the amusing circumstances that might occur when a lie is maintained. The characters eventually become more self-aware as a result of these experiences.
Knocked Up (2007)
Alison (Katherine Heigl), a career-focused woman, suddenly falls pregnant after a one-night encounter with Ben (Seth Rogen), a laid-back slacker, in Judd Apatow’s “Knocked Up.” As the pregnancy goes on, Alison and Ben must reconcile their very different lives and learn how to deal with the difficulties of becoming parents while trying to get to know one another. As they make ready for their new life together, the characters’ differences, the difficulties of unplanned pregnancies, and their personal development are all explored in the movie.
Although they take distinct perspectives, “Knocked Up” and “Kinda Pregnant” both deal with the issue of pregnancy. “Knocked Up” is about the unexpected reality of an unwanted pregnancy and the obligations that come with it, whereas “Kinda Pregnant” is about a woman pretending to be pregnant in order to receive preferential treatment. While “Kinda Pregnant” leans toward humorous deceit, Knocked Up takes a more sincere and real approach to fatherhood. Both films examine the emotional and societal effects of pregnancy. They emphasize how the prospect of being pregnant can drastically change a woman’s life, but they do so with comedy, personal development, and ultimately self-awareness.
